Castlevania fans have had a hard time in recent years, as the venerable game series has been left to gather dust by owner Konami. Thus news of a Netflix-produced animated series stoked excitement, particularly once it became clear the show was intended for “mature” audiences and would not hold back on blood and gore. Castlevania’s subject matter has tried-and-tested appeal, and the successful blueprint for atmospheric gothic anime has been well-established by films like Vampire Hunter D. What could possibly go wrong?
First impressions are promising: Castlevania looks really, really good. The characters and settings are well-designed and animated, and if the aesthetic is somewhat hackneyed, that can be forgiven considering that it’s paying homage not just to a game series but to an entire genre. That said, much of the season’s four episodes are set in a generic medieval town, which is a bit disappointing considering that most Castlevania games are set in some version or other of Dracula’s castle. Indeed, apart from the names of the characters, and Trevor Belmont’s whip, I didn’t find there was much here to distinguish this as a Castlevania series: if they changed the names it would have been a pretty generic anime horror.
Having announced a Castlevania ‘series’, I think a few eyebrows were raised when the show was released and it turned out to be four episodes long, clocking in at about 100 minutes total. That’s really more the length of a movie, and the ‘episodic’ structure felt a bit phony. In particular, episodes two and three naturally segue into each other, and the ending of episode two felt rather abrupt. More problematic is that the ‘season’ finishes in an unsatisfying way, as the ‘conclusion’ is anything but and just sets the stage for future episodes. Netflix has inevitably announced that Castlevania has been ‘renewed’ for a second season, but it all feels completely pre-planned, and fundamentally cynical. If there was ever any doubt about a second season (clue: there wasn’t), it wouldn’t have ended as it did. Netflix knew there would be a lot of hype about the show because of the name alone, so they served up a laughably short first ‘season’, enabling them to spread a wafer-thin story over twelve episodes, when one feature-length movie would have sufficed.
But what really condemns Castlevania is its awful script. Set in a fictionalized C15th Europe, Dracula’s human wife is burnt as a witch by evil Christians, so he decides to wipe out the local population in retaliation. The only person who can stop him is Trevor Belmont, a cynical young outcast aristocrat and the last surviving member of the vampire-hunting Belmont clan. Trevor is an unappealing lead, not motivated by anything other than alcohol, and constantly complaining about having to rescue ungrateful peasants. Most of the inhabitants of Wallachia are portrayed unsympathetically, either as cringing cowards or as perverts who have sex with farm animals. It’s a singularly charmless script, and one that’s devoid of any humour, wit or passion.
This is made even worse by the voice acting, which ranges from indifferent to downright awful. More than one character suffers from dreadful mumbling, to the point that we had to turn on the subtitles to follow what people were saying. It’s not limited to one character, which suggests it was a technical problem or a production decision; if the latter, god knows what they were trying to achieve. Belmont’s voice acting is infuriating, as he rushes through sentences, fails to enunciate his words properly, and tails off inaudibly. But the worst of all is the villainous Bishop of Gresit. I don’t know what they were trying to achieve with his voice, but it doesn’t work at all. You can barely make out what he’s saying half the time. Considering how much work goes into creating the visuals for something like this, it beggars belief that the audio would be so incompetently directed and edited.
It used to be the case that licensed video games were guaranteed to be terrible. Cynical publishers would acquire a well-known license and use it to market a crap game, relying on name recognition to get people to buy a shitty product. Here that dynamic is reversed. Visuals aside, Castlevania is a pathetically lazy, cynical and low-effort attempt by Netflix to use a well-regarded video game franchise to generate interest among a certain demographic. Don’t encourage them. Do yourself a favour, and give it a miss.