Warlock is a campy 1980s Gothic horror film, featuring Richard E. Grant as witch hunter Giles Redferne and Julian Sands as the eponymous villain. The film’s plot bears a certain resemblance to The Terminator, as Sands escapes from the clutches of witch hunters in 1691 Boston and enters the present day – well, 1988 anyway – in search of pages from an ancient grimoire which has the power to destroy the world. He’s followed through time by Grant, who sports a hilarious hairdo and silly outfit. Both of them really give it a go, and the film is well-served by having two such capable actors in the main roles. It helps elevate some otherwise silly fare.
The film also stars Lori Singer as Kassandra, who acts as Redferne’s reluctant helper and guide in modern America. The warlock casts a sadistic curse on Kassandra which makes her age 20 years each day, which obviously limits the amount of time she has to lift the curse. Allegedly, Singer didn’t want to wear the facial prosthetics designed to make her character look older, and this results in a somewhat unconvincing ageing process.
Sands is great in the title role. Films about witches aren’t that common – compared to, say, vampires, zombies, and ghosts – and films about male witches are pretty rare. But Sands’ character is as evil as he is powerful (read: very), and is established early on as a huge threat. Although the special effects are lacking, this is by no means a no-budget film, and it’s surprising to see some relatively gruesome content here reminiscent of so-called “video nasties”, which managed to make me wince. Sands is an effective villain and he carries out shocking and despicable acts in a matter-of-fact fashion.
Warlock reverses the normal trope of the witch hunters being evil: in this case, the witch hunters are completely in the right, and God help us all if Redferne is unsuccessful. Apparently writer David Twohy attempted to write a movie about the innocent victim of a witch hunt “escaping” to the present day, where he faced the same sorts of problems and biases as he did in the 1690s. However, Twohy gave up because it was too complicated, and so we have this instead. It probably worked out for the best, as Warlock is a really entertaining movie: it’s fun, well-paced, and you’re unlikely to tire of it before the end. The special effects look very, very bad these days, but this adds to the film’s undeniable camp appeal. It’s definitely worth a watch for all aficionados of horror and 1980s “style”.